Author, newly released historical romantic suspense, Cassia
|Boulangerie from Diderot's Encyclopedia, 1752|
As with most trades, baking in Colonial America was patterned after English bakeshops or bakehouses. But it was not until the emergence of cities and towns that professional bakers became firmly established in America.
As towns grew in size and number and as the frontier expanded westward, commercial bakeries multiplied accordingly. Within a few decades of the founding of Jamestown, Plymouth, and New York, several commercial bakeries were started in the colonies, as early as 1640 in Plymouth and 1645 in New York.
Other early settlements were supporting professional bakers by the end of the century. Growth was slow, though. For example, in 1776, New York bakeries numbered only twelve compared to seven for the year 1700.
Bakehouses were usually low, square buildings with windows looking straight out to a river. Bakers worked long, hard hours for comparatively small profits. Work in a country bakery usually started at 5 a.m. with the firing of the oven.
An oven, which stood nearly opposite the entrance, had an iron door that opened to a deep and low cavern paved with flat stones. The oven was heated by burning bundles (faggots) of dried evergreen bushes (furze) or thorns and gorse. When the fuel burned itself out, the baker would rake out the embers and ashes into a trough or recess at the side of the oven (this was called douting). The oven was now ready to receive a batch of loaves.
After heating the oven, the next job was to make up the dough to add to the sponge, which had been left overnight to ferment. As for kneading, lumps of dough were torn off and flung upon the scales, and it was surprising how frequently an experienced man could remove exactly the amount to make a loaf.
Loaves were made in two sizes, and in early times were not baked in tins. Dough rested for about 30 minutes, during which time rusk biscuits were made and there was a tea break. Using long-handled wooden spades known as peels, the loaves were put in the baking chamber to bake for one hour. After the first batch was cooked and removed, the baker would stoke up the oven again and make it ready for more bread, buns, or doughcakes.
When the day’s baking was done, preparations were made for the evening work—gathering the flour and dissolving yeast in warm water to make the sponge. Because bakehouses were warm, in the wintertime they became places for people to gather and socialize or places for travelers to stop and get relief from inclement weather.
In my home state of South Carolina, rice was the colony's great staple and it was served with meats and shellfish and used to make breads, biscuits, flour, puddings, and cakes. Corn served all classes to make Johnny cakes as well as hominy. Wheat was grown by some of the Germans in the interior, but better grades were imported from Pennsylvania and New York. Lowcountry South Carolina dwellers grew and enjoyed a variety of fruits: oranges, peaches, citrons, pomegranates, lemons, pears, apples, figs, melons, nectarines, and apricots, as well as an array of berries, which were baked into muffins and breads.
Here's a recipe for the popular Benne Seed Cookies baked in colonial times in South Carolina.
Benne or sesame seeds were brought from Africa to our South by slaves. As they hoed the cotton, they dropped the seeds at each end of the rows, making a border of benne plants. Also, the seeds were scattered over doorsteps to bring good luck. The seeds were roasted and used extensively in desserts and candies.
Benne Seed Cookies
- 3/4 cups butter
- 1 1/2 cups brown sugar
- 1 egg
- 1 cup all-purpose flour
- 1/2 teaspoon baking powder
- 1/4 teaspoon salt
- 1 teaspoon vanilla
- 3/4 cup benne or sesame seeds, toasted
Susan F. Craft is the author of Cassia, a historical romantic suspense that takes place in the NC Outer Banks. The novel spans from 1799-1836. It's packed with adventure, suspense, romance, and pirates! Cassia, the third book in Susan's Xanthakos Family Trilogy, was released September 14 by Lighthouse Publishing of the Carolinas. Susan is represented by Linda S. Glaz, Hartline Literary Agency.